ZACH FOWLER

 

 

I started editing for TV in 2010 and haven't stopped since! My work is trusted by major brands such as

Intel, Microsoft, and Cisco as well as directors
of feature films. I enjoy learning more about my craft from other veterans of the industry. Collaboration is a top priority and I strive to honor my Savior

on every job I take. 

 

American Family Revival

 

 

Co-Editor

Feature Documentary 

BUMP

 

Editor 

35-minute narrative short film

CREATE PRAISE

 

 

Cinematographer, Editor

4-Minute Short Film

MORE EDITING EXAMPLES

 

 

EDITOR

 

WHY HIRE ONE?

COLLABORATION

 

 

Another eye in the edit bay who knows the footage as well as you do and is committed to serving the story. It is my place as an editor to give input that serves the director's vision

and to have his back at all times.

 

 

TRAINED TO WATCH

 

Experienced editors have acquired the ability to watch the raw footage, notice how it makes them feel, and keep track of it mentally for later use.

 

“There is an actual skill to watching dailies.”

Kelley Dixon, ACE  - Breaking Bad and Walking Dead

COMPOSING

 

 

 

Editing is not just choosing the right shots

but choosing how they flow together.

 

“You must have peaks and valleys and dynamics within the action

 itself, so that it’s not 'at ten' all the time.”

 

Dan Zimmerman - The Maze Runner

ORGANIZATION

It is not uncommon for a feature film to shoot 50 hours of footage for every 1 hour of final run-time. Mad Max: Fury Road was over 200hrs of footage per one hour of Run Time.

 

It takes a tried and true workflow to manage such a high amount of content effectively.

zachcfowler@gmail.com  -  Cell:  307-250-9187